huge record alert! possibly one of the rarest (and funkiest!) jams on the legendary west end label! “touch your life” is an elusive beast, co-produced and mixed by bert reid (crown heights affair, empress) and steeped in low slung, spaced out electronic funk, this 1982 release is surely one of the most sought after in the labels catalog. a slick quiet storm number featuring the ultra smooth, laid back vocals of the millers backed with some serious synthed-out grooves, a real beauty of a track that will appeal to all disco, soul, electro-funk and boogie heads alike. both the vocal mix and the instrumental are featured here just like the original 12&#8243,,, release. this is the very first time this record has ever been re-issued in over 30 years. don’t miss your chance to scoop up a true rarity, used copies of “touch your life” usually sell for above the £100 mark and don’t turn up very often, if at all! this re-issue has been re-mastered from the original tapes and re-pressed with original label artwork in full collaboration with west end records, new york city.

chris “bam bam” westbrook is one of the unsung heroes of chicago house. his westbrook label was responsible for releasing a slew of quality records from artists like armando & mike dunn as well as his own productions. one record that mysteriously never officially came out on the label was “hot spot” from 1987, never making it past white label stage. here, for the very first time, “hot spot” finally gets a full release boasting all 4 alternate mixes of the track by the man himself. suggestive lyrics, chattering drum machine rhythms and uplifting pianos in the classic raw chicago style are what makes “hot spot” a special re-issue. harking back to a headier time, the record still slams hard today and shows contemporary producers how house music should really be done. a long lost, un-released nugget from the old school, re-mastered from the original dat and officially released for the first time with original westbrook label artwork in conjunction with bam bam / westbrook records, chicago usa.

there has been an emerging uk synth scene for a few years now, with vinyl labels like cyberdance, flight recorder and red laser pushing the sound onto vinyl pretty much alone in the uk. defiant against the odds, their resilience is now coming to fruition as it finally seems the scene is exploding inspiring new generations of synth disco lovers to create labels or parties based on the european output of the scene. an artist that has been associated with all said labels and has been riding the wave even when it was a mere ripple is kid machine.

prime are delighted to welcome chicago house legend stacy kidd to our roster, and with him is club busting label house 4 life. stacy, cousin of another chi-town legend (if you didnt know already), paul johnson, has been delivering bombs on wax for 20 years on seminal labels like dancemania, peacefrog, dust trax, ken lou, and yellorange, and house4life continues that trend of raw, stripped down, looped up, jacking chicago house that we all know and love. disco feet is a perfect ep to kick things off with 3 discofied jacking mixes from the man himself along with a remix from another chi-town favourite, this time female dj/producer sundance. supported by a plethora of the chicago massive and charted by maurice joshua.

liiebermann is a japanese duo, ko-ta, previously ran stratosphere label in kushiro hokkaido, and his label mate, kiyokazu hamawaki. after releasing from labels like 31337 rcords/kina music/numbolic/early dub/multivitamins, they decided to set up a vinyl only label gabriiela. springy percussion and cutup samples with unique groove in lower frequency makes 3 tracks purely original. 3 tracks of floor bomb!

bristols facta and hodge are a pair of rising young producers who, more than most, have absorbed the influence of tempas early music and wielded it to create something defiantly their own. hodge has been on a powerful run of form over the last two years, with a string of acclaimed 12 inches for livity sound, idle hands and hotline striking a unique balance between brutalist sub-bass muscle and vortex-like whirls of voice and percussion. factas releases for soundman chronicles and idle hands have been equally striking - dark, hypnotic and dread-filled rollers for the moodiest of dancefloors. you can hear both producers approaches vying for attention on this collaborative 12 inch, and the resulting tension turns the atmosphere electric.

the rugged, noirish soul of dave ajus third album black frames is still lingering in our minds months after it dropped, and as you well know by now we at circus company can never get enough of the san francisco mans honey-coated voice. as such, we once again reached out to dear friends and like-minded souls within the house and techno community to deliver three reinterpretations of the mans distinctive sound for a fresh dancefloor perspective.

copenhagens tartelet records reach their 30th release in style! this va birthday party features label regulars like uffe alongside a whos who of modern german house heads. tito wun & damiano von erckert from the cult ava imprint, cosy up alongside mpc wielding giants like max graef & glenn astro (alongside regular sidekick inmyrmind) submerged funk loops, off kilter chord work and sharp disco percussion share a packed dancefloor with heavily delayed hip shakers (swing set to the high 70s) elsewhere gritty, tightened up 4/4 sample house rocks out alongside neck snapping mid-tempo cuts, all concocted from a wholesome melting pot of four decades of black american music. its raw & for the floor, you couldnt ask for more

johannes heil and markus suckut team up for the new cocoon release and what they came up with is simply amazing! a techno monster! the two high profile producers seem to merge various techno influences out of the last 15 years here but they manage it to do this with their very own hand writing. the opening track intuition appears like robert hood and speedy j helped out triggering the right sounds in the studio.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

ltd edition 200 units
nabla is a mathematical function that when applied, gives a multi-dimensional figure the ability to have many slopes in different directions. like the label’s name, the artists’ of nabla interest in all genres and textures will reflect in the varied nature of their future releases. for its first release, nabla artist lakehead continues the well-trodden path between techno and sci-fi but with a more eerie waif-like approach. raw lo-fi influences impose themselves through interesting percussive mechanics and ghost-like synths in a1. the ambient weightlessness of a2 gives way to a greater intensity on the b-side. the offbeat delivery on b1 is guided along industrial sounding landscapes while heavy metal hi-hats and trance-like melody of b2 rounds off a versatile first release

next up on creme organization is someone who has been winning lots of fans with his tough, masculine house music in the last couple of years. releasing on labels like unknown to the unknown and his own hot haus recs, dj hauss sound is one that aims squarely at the dance floor

2014 was a busy year for ztrl and tape hiss alike. we’ve been enjoying the support of numerous music-addicts, record collectors and djs for which we are massively grateful. this is exactly why we are going back to where it all started and bringing you a new ztrl release. the tracks which are featured on jelen (’now’ in english) ep work well on their own yet they form a cohesive sound when put together. each track on the release is universal as we can think of them as dj tools in a good sense or as slowly building independent compositions. it’s up only to the djs how they wish to use them.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

kievs yan cook here steps up from sister label ann aimee to big daddy delsin, as the two imprints have been fused into one going forward, with boris tellegen aka deltas carefully designed graphic covers also moving to the main label. earlier in the year, the techno man released morse with the dutch outfit, and has also impressed on labels like on records, planet rhythm and dynamic reflection with his ravey, heavily textured sounds

the label from the infamous spanish new rhythmic store has build a solid reputation and prooves it status. fresh techno for those who like their techno deep yet slamming!

great circles is pleased to present another artist from the philadelphia underground - m//r magnetic resonance. with this debut 12 inch, m//r brings a new dimension to the labels sonic story. on the a-side, adjacent possible is warehouse primed, with its massive kick, rotating squelches and infectious claps, while texas acid patiently seeks you out and finds you huddled in the darkest corner of the room, its delayed synths turning percussive and pattering your theta state like acid rain. on the b-side, honey single deftly weaves dub fragments and metallic webbing into a padded electro structure. panthers 1 slows the pace and opens the doors to a phantom voice and lush melodic strains that slowly merge into a unified ensemble over the extended, hypnotic beat.

• irelands chief ambassador for the nastier side of techno hits hard with a new four tracker on this prestigous label • very limited white vinyl
sunil sharpe is ireland s chief ambassador for the nastier side of techno, sonically on a sharp upward (downward?) trajectory since the actual 90s and frequently mentioned in the same sentences, promotional material, and internet blog postings as words like surgeon, truss, karenn plus other assorted terms that mean a great deal to those in the know.
dj support from: ben sims, blawan, truss, norman nodge, and, lakker, rebekah, clouds, randomer, bas mooy, j. tijn, svreca, manni dee, mr jones, marcel heese, ontal, minimum syndicat, dave tarrida, lag, tomohiko sagae, bleaching agent, martyn hare, anfs, mike darkfloor

after seven years and 11 releases on labels like slices of life and daniel bells elevate outpost, berlin producer baaz is ready to reveal his first full-length effort. his 10-track lp, red souvenirs, is set to drop on 24th of november via the beatmakers own office recordings, which makes it the fourth release from the imprint after a record from christopher rau and two eps from baaz himself.

new kid sublime house fire, a quick 300. tip! kid sublimes back in the ballroom series, a homage to the first clubs appearing and dance music like disco, r&b and house was played. a tribute to “the warehouse” from chicago on the westloop (hence the loop –side b), where frankie knuckles (r.i.p.) used to dj as a resident. beside the term “house” derived from that particular era, the first volume of the back in the ballroom series is a record where kid sublime takes you back to the dance-floor. for the fans of that timeless sound by pioneers like steve -silk- hurley, frankie knuckels or a nowadays kenny dixon jr..ready for another kid sublime classic? b-boy house with that amsterdam twist!!

hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

a real thick baseline - a fabulous ep start. of the same title dragon fly comes along with dizzying, but best placed sound effects und a bashing buildup. we love listening to that great sound. neck breaker - not neck breaking but with a most impressive vocal and creative seeded sound expericence. makes us fancy for more like this. and bäms - the ep continues with a track called roll on. quite deep and initiated with a cool vocal - very british - the composition ist a bit more funny - a good mood sound creates an appetite for more. we are hot for the release on stylerockets.

taking its name from the address of ron hardys seminal muzic box club (326 n.michigan ave, chicago 3.2.6. was a short lived project from one dion williams, ably assisted by the legendary armando gallop and mike dunn who lend their mixing skills and individual styles across the breadth of the entire record.

top tier hawaiian disco boogie masterpiece available for the first time on 45. it took us 3 years to persuade nohelani cypriano to let us do *lihue* , a brilliant fairly obscure disco boogie track but if you are a fan and you keep trying your enthusiasm for the music pays off. not only are we are just delighted to present *lihue* on 7 for the first time (previously lp only) but to top it off the flip is a track from a very rare hawaiian 45 also by nohelani called *playing with fire*, which sounds like a party track straight out your favorite 80s film. i rate it, which means it is good! its like rare-groove scene all over again but with new records.

looking back it has been a killer year for dj haus and his pair of labels, unknown to the unknown and hot haus, and it seems like he wont be easing the gears down from unfcknrelenting now december has arrived. the latest hot haus release (the sixth issued since september!) sees a welcome return for whippersnapper producer palace whose vision 12 inch is the third record issued on the uttu offshoot in a year! if you liked previous palace records, you love the three tracks here which are all raw and effective dj tools sprinkled with immediacy, individuality and nagging basslines - *solstice* in particular is a real burner of a track. dont sleep!

pets recordings and eats everything go together like tea and cake, like sausage and mash, so it makes sense they have hooked up again for a cheeky one-off release. it finds eats everything offering up two special edits of classic tracks straight from his own dj sets.

to pretend with a compact production, filled with guitar riffs, catchy melodies surrounded by a haunting bass, incredible electronic atmospheres, his new project stalker shows his concept of pop music. memories of people passing by, visions of nights to come. a retro pop approach to everydays life. music with a reason and a meaning by a man of mystery, passion and a brilliant mind. music with a reason.

patrizio cavaliere from london is back with a lovely remix from och / dicken lean (label head from autoreply music). about him we dont need to lose too much words….latest release on the legendary pal sl (baby fords) label just speaks for itself. on the flipside patrizio deliver us a new beautiful track with love called >dionysus< … and we are sure most of you will love it like we do.

the return of the gcw 10 inch comes at you like some span-dangled carnival procession. mudkid goes and reprises his efforts from gcw01v.pressing on green transparent 10 inch vinyl with handstamped label.

8 track compilation, a dystopian ending of the 2014 year!

roger gerressen about his project >lunar phases< : -when thinking about the lights of the night the first thing that came to my mind was the moon. you look at it daily and we are all affected by it so much. since the project contains eight tracks and the moon travels through eight phases every month it seemed like an obvious choice to choose this subject for the lp. the first part of the lp is the >new moon<, when the people (and the music) are mellow and relaxed. the second part of the lp is darker, faster and more chaotic, which is more likely to be the effect a >full moon< has on people.-

home records is founded by marcus henriksson aka minilogue, nobody home, son kite releaseinfo: since the beginning of time we humans have been using different methods of inducing altered, heightened or trance-like states. like the native humans used rituals, drumming, dancing and chanting to get into an trance-like state. trances and altered states follow the pattern of a journey: departure, traveling through (inner worlds and dimensions) space, and then returning home. in the classic shamanic journey traditions, rhythmic drumming, rattling or chanting is used to facilitate the entering into, traveling through and returning from the spirit world

classic, eclectic, very moody like larry heard deep house tracks from the mystic felix da housecat.
final pressing, violett coloured vinyl

side a: ghetto juice - another nice techno soul groove by eddie fowlkes, with the deep bassline with the laughter of of streets of detroit and crazy horn lead to get the ladies dancing.. side b: sunday morning - this cool swing late saturday night groove with a fade in vocal of -easy like sunday morning- sample will definitely have hands in the air, brilliant track by mr. fowlkes!

a loving tribute to the early european techno often known as bleep n bass. essentially the first original techno sound of europe, pioneered by legendary labels like warp and network and generally centered around the yorkshire area, circa 1990-1991. out on a very limited (100 copies), hand-numbered white 7 inch vinyl.

continuing a strong line of afro inspired works, men like pedestrian & jasperdrum drop another scintillating technoid excursion on 2nd drop. deeper, moodier with dynamically carved esoteric angles, *origins* moves forward from the superb kalakuta, the afrobeat meets bass music bomb supported by giles peterson, scuba, midland, mr scruff and many more, from last year, to deliver a heads down destroyer. off kilter, wonky and expertly crafted, pedestrian & jasperdrums *origins* is pure class, led by a host of syncopated percussion, haunting flute lines and distorted vocal samples, this is what fela would have sounded like if he had teamed up with carl craig in 2014! on the flip we welcome alix perez, best known for his dnb production but widely talented as shown by his arp101 outings on the likes of eglo. here, alix takes the tools to kalakuta, transforming the originals afrocentricity into a tense, punchy roller, dominated by a bass line which literally jumps in to your ears. toss in a stabby synth line, rifle shot drums and plenty of bass with space, this a beautifully crafted refix.

tokyo-based ryo murakami has been releasing slightly minimal-inflected house music since 2007. his club-oriented work has always been subtly atmospheric and deliberately soft-spoken and non-confrontational, conjuring up an original sound that fits to modern-day house music like a glove. he co-runs and releases on the panrecords label and has also published his music on dessous, poker flat, baud, curle, etc

black loops have previously released on labels like toy tonics which brought them fans like groove armada, huxley, art department and of course audiojack who signed them to their own gruuv recordings, this their second ep for the label sees riccardo & gabriele unleash three new bombs featuring a remix from emanuel satie

the title track crystal city shows a real understanding of the techno aesthetic, combining cathedral like atmospherics with rough, raw and rugged drums. the italian tape saturation master steve murphy (lobster theremin/chiwax/wilson) is employed to remix the title track. murphy brings the track back in to the realms of house and sprinkles it with his analogue know how to turn in a sub rumbling interpretation

this is another proof, that when djs from the heart evolving their own productions perfect club tracks come to life. the knowledge which elements and arrangement a great track needs, is running through their veins. david dorad is a phenomenon like this! living dj culture from the very beginning, he is a founding member of the bachstelzen crew from berlin, who are running their own famous floor at fusion festival and he is resident dj at kater blau and its predecessor the legendary bar25. he celebrates his debut on ursl records with streets of mexico. his friend canson from zurich and also a member of the ursl network contributes a stunning remix for pianinos. also watch out fort he mexican alien bonus tracks. an absolute faboulus ep with early support from soukie & windish, madmotormiquel, schlepp geist, nico stojan, seidensticker & salour..

for amselcom, london-based jaya shakira reworked the track in her fairy-like style, adding a piano that shows off the composition talent of loversrock. for the remix of her rework decalculator brought iannis ritter s smoky voice into the project. the artists achieve a calm, but poppy convergence, which fully does justice to the original monster/by loversrock. the b-side is a trip into oldschool sample based techno funk, containing the tracks freak and shade. freak plants a funny but dangerous musical description of a techno enthusiast into your ears. the samples used in shade sound like they could ve been recorded at the zoo and present a variety of mystic sounds.

gathaspar has been making a name for himself based on his productions for labels like thema and freude am tanzen as well as his live sets (im not a dj) in some of berlins most respected spots like panorama bar and watergate. amam cant resist his detail-oriented grooves, either, so now were jumping in on the action, releasing the vaporizer ep.

mental torments records has been found by dutch labelowner & artist mike drama, who is a well known character nowadays in the (hard)techno scene! bringing you the best (hard) techno that will put holes in your speaker similar to the impact of a 500 ton meteorite! and guarantee dancefloors shaking beats like earthquakes that mother nature even cant handle!so, for all those who cannot sleep at night.., who can only survive by injecting dangerous drums into their system on a weekly basis - mental torments will be your saviour!

two decades ep sees london producer missing join the fold for the fourth installment of five folds mandate: releasing quality dance music free from genre and tempo constraints. hailing from the heady days of the uk jungle scene circa 94, followed by a host of releases as one half of the breaks duo c83 throughout the noughties, missing re-emerges on the scene with four dancefloor fillers spanning uk bass house, garage/ jungle grooves and vocal deep house.

like many of the greatest italo-disco records, tony espositos 1983 double a-side je-na/pagaia is ridiculously rare. put it this way: if you fancy nabbing yourself an original copy, it will make a serious dent in your wallet. this welcome reissue presents both tracks in their original 12inch glory, mixed with clubs in mind by mariano boncaldo of klein & m.b.o fame. its the a-side thats arguably the pick of the pair, featuring as it does a balearic-friendly blend of dense, bongo-laden rhythms, tribal chants and delay heavy guitars. theres a bit more of a hazy disco bounce to pagaia, which sounds a little like a long lost tullio de piscopo record, all jazz-fusion scat singing, sunny horns and shuffling rhythms.

romansoff is the man behind raw tools, a guy who loves to dj and arrange parties in and around bucharest, he is starting to stretch his wings further afield. with a release on machine records inc being his first for another label, romansoff delivered 3 tracks of dancefloor goodness to the ruff draft inbox that made me jiggle in my chair. it was when i got up and started to dance like my dad, and my son started to laugh and point, that i knew it was a winner. i contacted romansoff who suggested we should have a game of stone, paper, scissors to decide the track order

long established detroit talent keith worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, the price of non-conformance. t.p.o.n.c. is a conceptual project that takes you on a virtual walk through the streets of detroit. from a musical standpoint, the sound and feel of t.p.o.n.c. aligns with worthy’s own dna, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition. always striving to create his own path, and never allowing everyone else’s “norm” to become his influence, worthy really excels in this long player format. in total, t.p.o.n.c. consists of 14 tracks (including 8 songs and 6 interludes) all crafted to convey a vision of what non-conformance looks and sounds like. t.p.o.n.c. has range, from the boom-bap of the drums to the unorthodox patterns and key structures, this project evokes a sense of individualism that often gets lost in todays modern world of musical proliferation. in true detroit fashion, and in tandem with the spirit of aesthetic audios own mantra, t.p.o.n.c. maintains, the rule is there are no rules.

galdoors announces its 5th release, from label boss junes. after a run of successful eps featuring artists such as elgato, leif and audio werner, young uk producer junes steps up with three diverse cuts that push forward the labels emerging sound. despite its relative youth, the label has developed a distinctive aesthetic through minimalist, hypnotic house tracks that are making waves on both sides of the water, heavy support has come from big-boy jocks like ben ufo, daniel bell and mike huckaby. earlier this year, co-owner tamess gal004 release featured on joy orbison’s radio 1 essential mix and ben ufos dekmantel festival promo video, establishing the labels forte for delivering the best productions of its co-owners. gal005 is no exception, with junes developing his sound through an assured three-tracker. root pattern leads the way: a killer groove that cuts perfectly through an undulating melodic soundscape. on the flip, transfer bubbles over - playful yet threatening - and iced finishes off with a broken slab of soundsystem tension.

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.